JT Film Review

Cloud Atlas (2012)

Cloud Atlas Review
Review #167

4.5/5 stars

Director –  Lana and Andy Wachowski, and Tom Tykwer

Cast – Tom Hanks, Halle Berry, Hugo Weaving, Jim Broadbent, Doona Bae, Ben Whishaw, James D’arcy, Zhou Xun, Keith David, Hugh Grant, Susan Sarandon

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This is a helluva ambitious movie. Helluva.

Written and directed by the Wachowski siblings and Tom Tykwer, it is an adaptation on the 2004 novel of the same name. It consists of six intertwined stories, ranging from the 1800’s to a post apocalyptic future. There are physical links between the stories… letters written in one time period are read by a character in another, a character in one story is worshiped as a deity in another, that sort of thing. The lead actors also all appear in several stories as characters with different ethnicities and even genders.

But the real link between the stories is thematic. The point of the movie is that people’s actions have consequences, and choices we make “reverberate through time”, etc. It’s not a new theme. It could easily be quite corny too, but success is all in the execution.  Cloud Atlas avoids being cheesy,  (more or less), and I would even describe it as inspiring. It easily avoids being boring, too, which seems odd as it’s almost three hours long.

It is definitely what I would call a “lie down movie”, though; one of those long films you can go to in a near-empty theatre, lie down on the seats, and let the movie wash over you. (The Girl With the Dragon Tattoo was another one.) The movie intrigues us, draws us in, and gets to the point in due time. It drags a bit in the middle, to be sure, but not for long. It’s six stories are all interesting in one way or another. They weave together well, despite the occasional jarring transition, and the actors all commit to their roles one hundred percent.  If you don’t like any of the stories, there’s a new one coming along in a couple of minutes!

I would like to touch on the ridiculous accusations of racism that have surrounded the movie. Many white members of the cast appear in a couple of stories as ethnicities other than their own. This is done with prosthetics and makeup, and has drawn comparisons to black-face. Some people are asking why actors of the ethnicity portrayed were not hired to play those parts, and normally they would have a point. But in a movie like this, where actors of all colours play different parts, the accusation fall flat. You can not say putting Hugh Grant in vaguely Oriental makeup is racist when the next scene features Halle Berry as a white British woman. Context is key here, and there is no racism here. No chance.

OVERALL

Cloud Atlas is huge, audacious, and effective. It’s six stories complement each other wonderfully, and the actors are obviously into the spirit of the thing. It sounds so flippant to say it, but Cloud Atlas is inspiring. It might confuse some and alienate others, but it is much more approachable than some are saying. Highly recommended.

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‘Cloud Atlas’ on other websites:

IMDB —– Rotten Tomatoes —– Wikipedia

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November 21, 2012 Posted by | 4.5 Stars, Film Review, Genre - Drama, Year - 2010-2019 | , , , , , , , , , , , , , , , , , , , | 6 Comments

Skyfall (2012)

Skyfall Review
Review # 166

4/5 stars

Director – Sam Mendes

Cast – Daniel Craig, Judi Dench, Javier Bardem, Ralph Fiennes, Ben Whishaw, Naomie Harris, Albert Finney, Bérénice Lim Marlohe

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Daniel Craig is Bond for the third time in Skyfall. We get the feeling that he’s always wanted to portray Bond as a tired, broken man; and the 23rd Bond movie gives us that with gusto.

We start off with a Bond who is believed dead, but who is really taking some quality time on some un-named Caribbean island. He is a wreck of a man, at least compared to what he once was. Trouble at MI6 leads him back, where he finds his skills have grown very rusty indeed. When undergoing re-assessment Bond finds he can’t hit a target the way he used to; he strides forward angrily, firing round after round. Not one hits a vital area.

But duty calls, and perhaps out of misplaced trust in him, M decides to throw 007 back into the field despite his dismal aptitude scores. He is after terrorist mastermind Silva, a man who has already blown up MI6’s headquarters, and seems to have a strange amount of knowledge of the inner working of Britain’s top spy program. But when it comes down to the final count, we see it’s not skill so much as will that makes the difference here.

Never before has a Bond movie had such a cast. We have the regulars, Dench, Craig, etc. But add onto that Fiennes in a great “English gentleman” role, Bardem as a great villain who sets the perfect tone, Finney as a reliable old caretaker (rumoured to have been planned as a winking role for Sean Connery), even Whishaw as a young and sly Q. This is a cast that screams prestige, and throw in Sam Mendes  as director and we really have something to raise the eyebrow. The movie is well paced, has great action, and even throws a nod to the Bonds of the past. This is the old man’s 50th anniversary, you know.

In retrospect, Bond has come along way from his beginnings in many ways, yet in many other ways he has not. Women can now be field agents, though they may prefer a desk job when all is said and done. 007 still sleeps with every skirt he comes across, and he still has to (inevitably) watch the villain blow them away. He doesn’t have as many cool toys as you may expect, though one particular car makes a crowd pleasing re-appearance. But the most fundamental way that Bond has changed in the last decade or so is to have an added sense of world-weariness. He kills, puns, and fornicates his way across the world, but you get the sense he doesn’t enjoy it as much any more. People argue that Fleming’s books always had a bit of this, but the movies have generally had a more light-hearted approach.  That is gone now. Bond is hewing closer and closer to Bourne.

This isn’t a particularly ground breaking comment, to be sure. But you have to wonder how long this trend will continue. Skyfall has a wonderfully low-key third act, that works very well despite a slight loss of urgency. When a terrorist is seeking M and Bond, they sneak off to a semi-abandoned mansion in Scotland. They take the fight to a remote area, to gain the upper hand and to cause less damage. (This is a wonderfully unexpected turn of events. Since when has Bond cared about collateral damage?) This is not the Bond we expect, and it works, but for how long can it? The reason it works so well is that it flies against convention, but I find myself hoping that what we have here is a strange side route, to be relished for its uniqueness; then we can jump back onto the main road for some “kiss kiss bang bang”, as they say. Indeed, we get a sense of that direction from the final scene. Moneypenny is at her desk, M is in his (!) office, Bond is being handed a dossier marked “Top Secret”, and we even have the coat rack back. Has the Bond train been diverted to its more fun and swashbuckling main line? I must admit, I hope so.

OVERALL

Skyfall is a bit of a departure from the usual Bond tone, but not too much so. It has the perfect tone for what it’s trying to do, and manages to wring a decent bit of fun out of the whole thing. Craig is settling wonderfully into his role, and the rest of the cast is superb. The final scene leaves us waiting with bated breath for the next one, and in the end, what more can we ask for. Skyfall is one of the better Bonds, made all the more interesting by its (comparatively) low-key third act. Bring on Bond 24!

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‘Skyfall’ on other websites:

IMDB —– Rotten Tomatoes —– Wikipedia

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Agree? Disagree? Feel free to leave your comments below!

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November 14, 2012 Posted by | 4 Stars, Film Review, Genre - Action, Year - 2010-2019 | , , , , , , , , , , , , , , , | Leave a comment