JT Film Review

138 – Camelot (1967)

Camelot Review

4/5 stars

Director – Joshua Logan

Cast – Richard Harris, Vanessa Redgrave, Franco Nero


When I found that Richard Harris was the star of the filmed version of the Broadway smash hit Camelot, I half expected a Paint Your Wagon experience. But in this extravagant re-telling of the Arthurian legend, Harris more than fills the required black leather boots as King Arthur, as do Vanessa Redgrave and Franco Nero as Guinevere and Lancelot respectively.

While expecting a somewhat dry and bland movie, Camelot surprised me with its wit and, dare I say it, depth. While focusing on the forbidden romance between Guinevere and Lancelot, the movie is really about the effects of their affair, both on King Arthur (who knows about it), and on the fragile union of England embodied by the famous Round Table.

Camelot starts off at what is chronologically almost the final scene. King Arthur finds himself facing an upcoming battle, and ponders the events leading to the tragedy of war. The movie then unfolds in flash back, starting with Harris’ joyously perfect rendition of “I Wonder What the King is Doing Tonight”, where he tells of his nervousness at his upcoming (arranged) marriage to a woman he has never met. Of course this woman turns out to be Guinevere, who has similar reservations. They meet-cute in a forest, away from their attendants, and fall in love. Their perfect bliss is soon marred, however, by the appearance of perfect knight Lancelot…

I like the maturity on display here, they’re all so level headed. While Lancelot and Guinevere are having an affair, they are aware of the consequences and even frown upon their actions; but as they say, they can not choose whom they love. On top of all this, King Arthur is aware of the affair, but decides to do nothing, so as to preserve the fragile English peace. No one flies off the rails here. The inevitable war is not a reaction of Arthur to his friend and wifes betrayal, but comes from scheming lords and knights, led by Arthur’s treacherous bastard son, Mordred. I enjoyed the way the movie shows a noble man try to do his best to rule a kingdom, despite forces beyond his control trying to upset his rule. There really is a lot of nobility in this movie, and not just from the royal blood on display.

Granted, the strengths of the movie definitely come from the musical on which it is based, as the songs are funny or affecting in the right amounts. Unfortunately the direction is not extremely assured, and the movie is definitely not helped by its somewhat sluggish pace. We could maybe have used a bit more spice, and you could say the ending is a bit abrupt, but it still packs a nice little punch if given a chance. All in all the grandiosity, seriousness, and wit of Camelot adds up to a very satisfying experience… if you can sit through the 3 hour running time.


Camelot is a big movie, with heaping portions of everything you could ask of a medieval musical. Sure it is a bit slow and unwieldy, but there is a depth of heart here. It is not all flash and Broadway sparkle. This is good old Hollywood entertainment, and I am glad I saw it. In the end, what more could you ask for?



“Camelot” on other websites:

IMDB —– Rotten Tomatoes —– Wikipedia



January 16, 2012 - Posted by | 4 Stars, Film Review, Genre - Musical, Year - 1960-1969 | , , , , , , , , , , , ,

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