JT Film Review

121 – Brazil (1985)


4.5/5 stars

Director – Terry Gilliam

Cast – Jonathan Pryce, Kim Greist, Michael Palin, Robert de Niro, Katherine Helmond, Bob Hoskins, Ian Holms, Jim Broadbent


I had always heard of Brazil as one of Terry Gilliam’s better films and a definite cult movie. I love dystopian sci-fi like Children of Men and 1984, and while I didn’t know Gilliam very well, I recently purchased a box set of his movies and I look forward to exploring even more of this divisive film-makers work. Brazil was, I think, my first Gilliam movie to watch all the way through, and boy was I off to a good start.

Brazil is a dystopian movie, but it has a wonderful dose of charm and quirk that I understand is Gilliam’s trademark. While it is dark and gloomy from a visual standpoint, it clips along at a lovely pace, and has a great set piece or two sprinkled in there as well, interspersed with some wonderful acting from Jonathan Pryce, the ever reliable Ian Holms, and specifically Michael Palin.

We follow Sam Lowry, played by Jonathan Pryce (a great actor who also appears in movies as varied Evita, Tomorrow Never Dies, and the Pirates of the Caribbean series) as he maneuvers his way through life in a dystopian future. He dreams often of a specific girl, and he finally finds her only to realize she may be associated with a terrorist group. The movie mainly concerns itself with Lowry’s journey towards and with this fantasy woman, as he fights the ridiculous, suppressive, and ineffective bureaucracy that turns its citizens into soulless machines.

Having since watched a few of his other movies, I think I have found that Gilliam often has a problem with keeping a story coherent and focused, and frankly there is a bit of that here. However it is not as prominent in, say, The Brothers Grimm or The Adventures of Baron Munchausen. And really there is a lot of charm (damn I’m overusing that word, sorry) in Gilliam’s helter skelter method. It comes across much like your grandfather when he rambles on and on with some story. Except, how cool would it be to have your grandpa talk about dystopian societies with vivid dream sequences and on-the-nose social satire? Brazil cool, that’s how cool.


Brazil is Gilliam at his best. The satire of the movie is great, and the imagination on display greatly rewards repeat viewings. This is the kind of movie that isn’t for everyone, but should be. Highly recommended. Oh! And this movie is where that Wall-E music comes from!



“Brazil” on other websites:

IMDB —– Rotten Tomatoes —– Wikipedia



February 10, 2011 - Posted by | 4.5 Stars, Film Review, Genre - Sci-fi, Year - 1980-1989 | , , , , , , , , , , , , , , ,

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